Explains the technique
developed to integrate
digital elements  Edmund
creates into  his under-paintings

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Edmund at first  experimented with
the use of Monotype in his paintings
before experimentation
with the digital
Drawing was enlarged and a Monotype
created on paper  which was transferred 
with acrylic Resin to Plexi-glass

Before Digital experimentation
another example of the monotype
Technique to create  an
under-painting Monotype
applied to plexi-glass

First digital paintings were
done as archival  pigment prints
on canvas or paper
and were printmaking  limited editions

Creation of first digital Monotype
for application to substrate
Paper print was applied
with acrylic resin

Pen and Ink drawing
 scanned  for Monotype

Original acrylic painting
 example of repetitive digital
textures